Sunday, 29 June 2014

Arlaud – Bourgogne – Roncevie – 2011


Officially only humble Bourgogne Rouge, yet this wine comes exclusively from the Roncevie vineyard which officially formed part of the Gevrey-Chambertin wine district until it was stripped of that status in a 1964 reclassification.

Rather classy for mere Bourgogne Rouge. All the cherry and red fruit one expects from the area, then plenty of chewy Gevrey structure, and a smooth finish. Still a bit young, but there is clearly a lot of perfume waiting around the corner.

89 points

Domaines Leflaive – Mâcon-Verzé – 2008


Domaines Leflaive – rather than Domaine Leflaive – is a label launched when the domaine moved outside its natural home in Puligny-Montrachet and went south, purchasing vineyards in the commune of Verzé in the Mâconnais. They immediately converted them to biodynamism in keeping with the philosophy of winemaking established at Domaine Leflaive since the 90s by Anne-Claude Leflaive.

Limey, austere, with the characteristic wet stoniness of Chablis, and a touch of white pepper on the finish. The oak has been handled very lightly and the texture is very much citric rather than creamy. Screams for oysters. After being open for a couple of hours, it is struggling towards a lemon meringue character.

88 points

Château Batailley – 1971


A Pauillac 5th growth. (There is no second wine at this property; Château Haut-Batailley is rather the result of the previously larger Batailley being split into two properties in 1942 to avoid difficulties with inheritance laws. Château Haut-Batailley does have a second wine, Château La Tour L’Aspic.)

Wood and wood spice, a little liqourice – not a great deal of fruit left except that hint of overripe orange characteristic of late maturity. Delicate rather than dense, it doesn’t have intense tertiary flavour elements, but a classic mature Claret character. It remains a delicious drink.

89 points

Sunday, 18 May 2014

Some minor 2010 Bordeaux


Or “affordeau” as it may be known in the wine trade…

Château Lalande

Cru Bourgeois from St.Julien, but not the better known Lalande-Borie. A bit on the rough side, but textbook pencil lead.

85 points

Château Laroque

Cru Bourgeois, Margaux, not the better known St.Émilion property of the same name. Bitter blackcurrant – the cassis comes through very heavily.

84 points

Château Louvie

St.Émilion Grand Cru, not that the grand-sounding designation “Grand Cru” means so much here. 80% Merlot, but with a slightly stony, smoky character that makes it seem a bit more left-bank – nevertheless, a right-bank sweetness to the fruit.

85 points

Château Rocher Bonregard

Pomerol. Rough, acidic, thin – doesn’t feel like Pomerol at all. What went wrong here?

81 points

Château De La Croix

Cru Bourgeois, Médoc. Hot fruit black and red fruit, not a lot else.

84 points

B de Biac

From Cadillac, way down in the south of Entre-Deux-Mers. Southern hot black fruit character, creamy texture.

86 points

Sénéjac

Lovely big fruit, structure and oak spice.

88 points

Wednesday, 30 April 2014

Château Margaux – 1963


1963 was a bad year for Bordeaux, in a time before the technical advances we now enjoy could mitigate the worst characteristics of a poor vintage; in ’63, cold, wet, rot and hail were all major problems for growers, and it was a vintage of light, acidic wines which by and large did not age well. So we approached this ’63 without great expectations, compounded by the bottle being full only to below the shoulder.

On opening, there is a fine, very attractive but short-lived perfume that is at least classic Margaux; it is replaced in fairly quick succession by similarly light but less elevated touches of leather and creosote and the more expected dry wood and pencil lead.

Fragile and faded, but still with the elegant structure of a once very fine wine.

88 points   

Marqués de Murrieta – Ygay – Etiqueta Blanca – 1978


The Etiqueta Blanca (white label) is a no-longer-made crianza from the great, historical bodega Marqués de Murrieta. Once emblematic of the most traditional, age-worthy wines, the whites made in very oxidative styles, in recent years the bodega has been making a lot of wines in more international, less Rioja-distinctive styles. This white label showcases the lasting power of a wine that is perhaps not very grand but which was properly made with quality fruit.

On opening, some slightly metallic, bretty (?) notes blow off to reveal a classic bouquet of mature, red fruit (cranberry, redcurrant) and mushrooms in the undergrowth, with the residual awareness this wine once had a fair lick of oak. On the palate, brightly acidic, a little too much so to make the wine very attractive without food.

Coming back to this the following day, it surprises us by having grown in weight; the oak is more prominent, and the wine seems more balanced. The bouquet is now slightly smoky blood oranges, and there is a touch of curry spice. Perhaps not quite the same depth as some other Riojas of a similar age, but a beautiful example of well-aged Rioja. 

92/100

Sake Diary - Ho-Ne – Houraisen – Junmai Ginjo


A bottling by the Houraisen brand for the Bone Daddies ramen bar in Soho, still the closest London equivalent to New York’s über-cool Fatty Crab restaurant.

We did wonder if the restaurant had muddled their tasting notes; they claimed “tropical notes with a long savoury finish”, but that is a very misleading description. Fresh, floral and melony. Not milky or creamy as sake often is, but mouth filling, with well-defined notes of fennel and star anise on the finish.

Sunday, 30 March 2014

Maison Leroy – Côte-de-Beaune Villages – 1996


From the négociant arm of the great Domaine Leroy. Cherried, a little dusty, a little farmyardy, a bit of pot pourri, and a fair bit of oak spice left – clearly saw a lot of oak in its youth. With time, it acquires weight, and is the antithesis of the thin and acidic wine that you can find when you catch many a bottle of Burgundy at the wrong moment. Perhaps there is more structure to the wine than power in the discreetly expressed flavours. It is not “stunning” as the sommelier promised (although dinner in his Rotterdam restaurant, Parkheuvel, was pretty damn good), but it is a classic, straight-down-the-middle mature village Burgundy, doing everything it should. “Go for the bottom wine of a great producer, not the top wine of a weak one” is not an infallible proposition, but it worked here.

90/100

Fernando de Castilla – Fino


A little maritime, a little green olive, some almond, but not too much acid, attack or mouthfeel – attractive sherry flavours, but a bit flat, and definitely not as good as some of the other excellent sherries from this bodega.

82/100

Marqués de Riscal – Crianza – 1982


Marqués de Riscal was the original Bordeaux-style bodega; prior to the 1860s, winemaking in La Rioja was a far more rustic, homespun, home-drinking affair. But with the tables of Europe then deprived of the best French wines after the ravages of phylloxera, the way was open for Spanish wine to step into the breach, and with Spain still being a very feudal society, it was the nobility who led the way; in 1860, the Marquis of Riscal opened what to this day is one of the benchmark bodegas of the region.

As an aside, although it is sometimes said that in what are now old-school Rioja bodegas one can find echoes of pre-phylloxera French winemaking, this is not quite true; the méthode bordelaise never depended on such long aging of wines in American oak, which quickly became the Rioja norm, the método riojano.

For most of its history, Riscal has been one of the “reference Riojas”, but during a period between the mid 1970s and the early 1980s the wines went through a very bad patch, largely due to some of their casks having become tainted. In 1985, they scrapped 80 per cent of their barrels and, as it were, re-booted the bodega.

This wine dates from the bad patch; it had a high shoulder and came from an impeccable cellar, but was essentially knackered. Other crianzas from the same period can still seem as fresh as a daisy, but this feels old and decayed; there is the ghost of fruit and muted mushroomy flavours, but not enough to balance the  acidic finish. I can’t say it is entirely without pleasure, but it is certainly not a good Rioja on top form.  

Sunday, 16 March 2014

Muga – 1978


A ‘mere’ crianza wine from both innovative and traditional bodega Muga.

A mature cherry bouquet, with a touch of sandalwood and spice, and dusty oak; although oak does eventually eat itself up with age, and crianzas may spend considerably less time in oak than reservas and gran reservas, I was nevertheless surprised to see how solidly oaky this remains (though not in the coconut – vanilla style of younger, American-oaked Rioja). It is perhaps less surprising considering that Muga reds are both (oak) vat fermented and then barrel aged. The second surprise this wine brought me was how different the palate is, much more vivid than the gentle, mature, woody bouquet; fresh acid brings a mouth-riot of mature mandarin or almost rotting orange, a note more squeamish palates would find bretty (I say characterful). There are a few still live tannins and the oak spice does come back through on the finish.

93/100

Château Meyre - 1998


Cru Bourgeois (AOC Haut-Médoc) from vineyards around Moulis.

Subtle, light, secondary, with most of the primary fruit smoothed away and a soft, slightly spiced finish. It is not so much that the finish is short, but that it is missing depth; I yearned for some gravel or smoke to add an extra layer.

85/100

Domaine Thymiopolous – Xinomavro Young Vines – 2012


Xinomavro is the signature red variety of northern Greece, often compared to Pinot Noir in terms of weight (but not perhaps in terms of quality).

Dry, hot climate red fruit in a surprisingly light-bodied, thin wine, with a touch of pepper; Gamay with the pepper of Grenache. Not a marriage made in heaven; more of a one-night stand that has led to an unwanted pregnancy. The sort of red that could be drunk chilled in summertime.

78/100  

Saturday, 1 March 2014

Paternina – Banda Dorada – 2012


Entry-level unoaked white Rioja from the sometimes great bodega Paternina. Varietal Viura.

Generously appley (attractive given that the besetting sin of Viura is a typical lack of much distinct fruit flavour, usually offset by a good lick of oak) but no depth, acidic but clunky.

79/100

Sunday, 16 February 2014

Rovereto – Gavi di Gavi – Michele Chiarlo - 2011


Gavi is a commune in the larger DOCG wine region of Cortese di Gavi, within the great wine region of Piedmont; hence Cortese di Gavi wine made from within the commune of Gavi is confusingly referred to as Gavi di Gavi. In any case, all DOCG Cortese di Gavi wine is made from the white Cortese grape.

Pale, zesty, citric (more lime than lemon) with no suggestion (as I was expecting) of bitter almonds, but a finish that keeps reminding me of pecorino cheese. Lightly rather than intensely fruity. Not complex, nor too acidic to drink without food, but in no way flabby or of poor quality.

84/100

C.H. Berres – Erdener Treppchen – Spätlese – 2001


Ah, the joy of deciphering the German wine label! Erdener is from Erden, a town on the Mosel; Treppchen is the name of the vineyard site, in this case “little staircase”, which is also an Erste Lage, a first-class site. Spätlese implies wine from fully ripe grapes, the lightest of the late harvest styles, a riper category than Kabinett, but it can still be made in either a sweet or dry (trocken) style: here it’s sweet. The Berres family has been making wine since 1510; they are in the 21st winemaking generation. 2001 was a magnificent German vintage, with low yields but very high quality.

Purely sweet to begin with; moderate petrol notes soon blow in. Two-thirds of the way through the palate I can’t help but think of cashew nuts. Not dense or highly concentrated, but very attractive. Being set against borscht at the dinner table is a transformatively good experience for this wine; it suddenly seems more acidic, more structured.

86/100

Sunday, 9 February 2014

Viña Albina – 1970


I had my doubts about this bottle, as it was down a bit at the neck and the cork was somewhat knackered. In fact, though, apart from a slight, initial mustiness that blew off, it turned out to be in excellent, delicious condition. The more old Rioja I drink, the more I think it can age better than most Bordeaux.

To begin with, the bouquet comes across most forcefully as mushrooms and wet undergrowth, the note that blows off. Then it is a lovely blend of mature red fruit (I thought of redcurrant) and spiced, savoury pickles.

The oakiness shows a little more on the finish, which seems short in comparison to the complexity the wine shows through the rest of the mouth. Not quite the same delightful, precise, bright fruit of Berberana 1970, nor quite the same finesse, but a delicious and much more savoury wine from one of the great Rioja vintages.

(Although this bottle showed well and gave me immense pleasure, I do expect there are slightly better bottles of Albina ’70 out there).

92/100

Saturday, 8 February 2014

Manzanilla en rama – “I think”


En rama (original state) bottling from laudable independent bottlers Equipo Navazos, one of the great drivers of the ongoing sherry renaissance. Unfiltered, so a much darker colour than most manzanilla sherries, and with a formidable amount of sediment in the bottle. A big bouquet of chamomile and lanolin (I think Johnson’s face cream), and very salty. A bizarre palate for manzanilla; big in the mid-palate (usually a manzanilla empty spot), it is very acid-driven for sherry (usually lower acid) with a profound aftertaste. It is commonly said that manzanilla needs to be drunk young, but this has the complexity and structure to age well. If I miss anything about it, I miss the nuttiness that sometimes comes over, but otherwise stupendous.

94/100

Sake Diary


Chotoko – Heavenly Brew – Honjozo

Unripe bananas, with a heat on the finish that reminds me of Szechuan pepper. Grippy, not as a smooth as the best sakes can be.

Nechi Otokoyama – Ginjo

Smells like double cream. Sweet, too: watermelon. Quite a fine finish, almost winey. A surprisingly good food sake.

Tamagawa Kinsho – Daiginjo

Lime, flowers and pear – very fragrant, and a very smooth palate. Clearly the finest of this batch of sakes, but doesn’t stand up well to food.

Kamaizumi Shusen – 3 Dots – Junmai

Earthy and mushroomy – the flavours are very savoury, but there is a surprising underlying sweetness. Not quite so good a finish, but definitely interesting.

Dewa Oka – Junmai Ginjo

The blurb says cherry blossom, but that seems remote to us; there is a much more clearly defined note of cucumber (N1 adds bitter melon) and a ginger finish. Structurally relatively light.

Sunday, 2 February 2014

Château Paillas – 2002


Not Bordeaux, but Cahors, the home of Malbec, in central south western France.  

This has clearly smoothed out since its young days when it was undoubtedly too chunky, but is nevertheless something of a disappointment. It approaches with a distinctively black cherry note, then has a dry mid-palate empty of much other than a little white pepper; then a small sweet hit of Ribena on the finish. Leaden, rustic, uninspiring.

79/100